JOE ARROYO

HISTORY

(Alvaro Jose Arroyo Gonzalez, Cartagena de Indias, 1955 - London, 2011) Colombian composer and interpreter, called Sonero of America. Enjoys music since childhood, at age eight and sang in public; at twelve he had become one of the voices of the choir of the cathedral and at the same time made ​​a living singing in a place called The Nut. 
He later moved to Toronto, the city where he joined the orchestra Protest, which was created in 1970. In 1971 he moved to Medellin to join Fruko and his band Tesos, with whom he performed some of his greatest hits during a season and toured Colombia, Ecuador, Peru and the United States. 

In the mid 70s, Arroyo became leader of Latin Brothers; with this band trombone and violin had the opportunity to edit excellent albums. He also recorded some songs at that time with the band Leaders. In 1981 he formed his own band, La Verdad, whose debut album would be titled Arroyando. In 1983 he nearly lost his life due to drug abuse. 

In 1985 he played a theme in the album arrived, the band Alberto Barros Titans, beginning a fruitful collaboration. Barros played trombone and helped arrange some of the discs Arroyo and La Verdad. Charlie Pla, brother of the leader and interpreter of Latin Roberto Pla timbales, percussion dealt with Truth on several of his albums. 

In 1989 he performed at the Empire Ballroom in London. His albums Fire in My Mind (1988), In Action (1990) and War of the silent (1991) were published in the UK by Island Records subsidiary Mango. Fire album in my mind (1989) contains a piano solo Chelito Castro and several songs influenced by African music and contemporary salsa.
In 1990, because Arroyo had won the Congo de Oro prize in the Barranquilla Carnival many times, the Super Congo de Oro prize for him, so that he could give other bands a chance to access the award was created. On July 19, 2003, the eve of independence day of your country, the Colombian community in New York paid a massive tribute. 

In addition to performing a variety of traditional Latin rhythms like salsa, son, montuno and native cumbia, Joe Arroyo experimented and developed from the fusion of Colombian and Caribbean rhythms, a style that would be called a derivation its name: Joesón. He pioneered in the mid-80s, in the form of pan-Caribbean fusion are called Caribbean, and many of his records, excellent, are paradigmatic examples of the best Caribbean salsa.

NOCHE DE ARREBOLES

Hay noches de arreboles 
Que incitan al amor 
Y en los alrededores 
Se enciende el ardor 
Son noches de ilusiones que 
Como hoy te llaman 
Y te dicen mi cielo, 
Cada día, te quiero más 

Hay noches de arreboles que 
Te incitan vida mía 
Temblando de emociones 
Me das tu pasión 
Son noches de arreboles que 
Como hoy, cual flama 
Encienden corazones 
Ansiosos, al amor 

(Si) Noche de arreboles como la de hoy 
Te incitan y te entregan al placer del amor 

Son noches de emociones 
Son noches de pasiones 
Son noches de rubores 
Llenas de desilusiones de amor 

Noche de arreboles como la de hoy (Si, como la de hoy) 
Te incitan y te entregan al placer del amor 

Son noches de temores 
Pero que noches de dolores 
Son noches que me llaman 
Que me empujan 
Que me impulsan 
Y me dicen que 
Que me entregue a la pasión 
http://www.free-lyrics.org 

Ahora que te he conocido 
Oye bien lo que te digo 
Donde vayas yo te sigo mujer 
Pues mi amor llevas contigo 

Noche de arreboles como la de hoy (Noche de arrebol) 
Te incitan y te entregan al placer del amor 

Son noches de temores 
Pero que noches de ilusiones 
Son noches de ilusiones que me llaman 
Que me empujan 
Y me impulsan que 
Que me dicen que 
Que me entregue a la pasión 

Noche de arreboles como la de hoy (Si, como la de hoy) 
Te incitan y te entregan al placer del amor 

Oye mama no me llores 
Mira que te traigo flores 
Oye olvida los temores 
Que que imaginaciones 
Ardientes corazones 

Ilusión… que va 

Noche de arreboles como la de hoy 
Te incitan y te entregan al placer del amor 

Tu cu tu cu pa 
Tu cu tu cu pa 
Tu pa ca tu pa ca 
Tu pa can bo 

Así me suena el corazón de amor 
Cuando siento las pasiones 

MAELO RUIZ

HISTORY

Ismael Ruiz Hernandez, known as Maelo, born on October 22, 1966 in New York at 4 years moving with his family to the town of Caguas, Puerto Rico. Maelo Ruiz begins his musical career at age 8 singing in local Talent Shows in the beautiful "Isla del Encanto" Puerto Rico. 

At 16 Maelo starts singing at the Free School of Music in Caguas under the direction of Juan Pacheco. 

At 14 years old he began his studies at the Free School of Music under the support of the teacher and trumpeter Juan Pacheco, who was the musical director of the orchestra tremendísima "Borincuba" the great singer Justo Betancourt. 

In this school, under the tutelage of Maestro Pacheco, Maelo singers involved in issues such as Santos Colon, Justo Betancourt, Pete "El Conde" Rodriguez, Hector Lavoe and others. 

Mr. Juan Pacheco saw the potential of the young tremendísimo Maelo Ruiz and gave the position of her showgirl group called "Casino Orchestra". In the orchestra, the first voice was no mejos or anyone else that the "Lord of the Tickets in China" - Santitos Columbus. 

At 17 years old, Maelo Ruiz went on to sing with the orchestra La Paz, Caguas and Liberation Orchestra at 17 and a half years. 

At 19 when internationalization begins as the first voice of Pedro Conga and his International Orchestra which belonged to seven years and recorded four productions with Pedro Conga, with hits like "Do not take off your clothes" that surpassed 50,000 units in sales deserving his first gold record in Puerto Rico, Dare, Vice (Gold in Colombia), I want to Back, If Only Knew, I Love You Love and Love me Deniest Both successes were announced Maelo Ruiz in Latin America.

¨MI MUNDO ES DE ELLA¨

Ven amigo tenemos que hablar 
Y perdona, se que esto te dolerá 
Lo he ocultado tanto tiempo 
Lo he callado tantas veces 
Pero hoy, no puedo más 

Mi mundo es de ella 
Mientras en tu universo 
Ella es solo una estrella, 
Ella es parte de mi vida, 
Mientras en la tuya ella es solo la rutina 
Un café, una noche de pasión 

No amigo no pido perdón 
Y propongo que brindemos por su amor 
Son cosas del destino 
Encontrarme en su camino 
Y ella ser de mí 
Su gran amor 

Mi mundo es de ella 
Mientras en tu universo 
Ella es solo una estrella 
Ella es parte de mi vida 
Mientras en la tuya ella es solo la rutina 
Un café, una noche de pasión 
Y es por eso que ha encontrado 
En mi el amor 

Mi mundo es de ella 
Mientras que en tu universo 
Ella es solo una estrella 
Ella es parte de mi vida 
Mientras en la tuya ella es solo la rutina 
Un café, una noche de pasión 

Mi mundo es de ella 
Mi mundo 
Ven amigo tenemos que hablar 
Se que esto te dolerá 

Mi mundo es de ella 
Mi mundo 
Y no puedo más, y no puedo más 
Lo he ocultado tanto tiempo 

Mi mundo es de ella 
Mi mundo 
Encontrarme en su camino 
Ella hace de mí su gran amor 
Mi mundo es de ella 
Mi mundo 
Ella es solo una rutina 
Una noche de pasión 

Mi mundo es de ella 
Mi mundo 
Oye mi amigo no te pido perdón 
Son cosas del destino 

Mi mundo es de ella 
Mi mundo 
Es para ti, es para mí, es para ti 
Todito mi amor 

Mi mundo es de ella 
Mi mundo 
Tú eres todo en mi vida 
Pero sin ti no se que hacer 

Tu mundo, y el mío 

Sin tu cariño, y sin tu besos 
Reyna de mi amor 
Y de todo mi universo 

Sin tu cariño, y sin tu besos 
Me moriría el saber 
Que tienes dueño 

Sin tu cariño, y sin tu besos 
Pensar que eres la estrella 
Que vives en mis sueños 

Sin tu cariño, y sin tu besos 
Y tu sigues con el 
Sigue jugando 

Sin tu cariño, y sin tu besos 
Decídete quien es tu mundo

EL GRAN COMBO DE PUERTO RICO

HISTORY

In 1962, Rafael Ithier, Eddie Perez, Hector Santos, Rogelio (Kito) Velez, Martín Quiñones, Miguel Cruz and Roberto Rohena meet with Rafael Alvarez Guedes for the purpose of forming a group that would accompany a Dominican singer name Joseito Matthew in a recording for his label GEMA. It was Alvarez Guedes himself who "baptizes" the group as EL GRAN COMBO. That first recording was titled "Digg Mangoes" - The GranCombo with Joseito Mateo. Rafael Ithier is chosen as director. Looking for a sound and an image that would identify, are incorporated into the group Milton Correa. Mickey Duchesne, Pellin Rodriguez, Rivera and Chiqui Paleco as "boy band". 

The album comes to New York and finally to Puerto Rico where creditors debuts and makes his first Gold Record.  on March 28, 1964 THE BIG COMBO receives his first major award for his album "Acángana" which included hits as "Mima", "My Way" and that served as the title. 

Premiering the 80s, recorded an LP that earned them a gold record. Title: "Here Not Nobody feels" referring or suggesting that unique sound that no one group would be able to maintain the room or the house. What at first, in 1962, looked like a dream, was commemorated in 1982; EL GRAN COMBO cumplia 20 years. They began to be received compliments and recognition of all peoples of the island and foreigners, standing Congo Colombia Gold, a Senate resolution from Puerto Rico and one from the town of Dorado. The Paoli award is given to them for the first time in 1982, marking the displacement of this group to distant lands such as Alaska.

¨UN VERANO EN NUEVA YORK¨

Si te quieres divertir, con encanto y con primor 
solo tienes que vivir, u verano en Nueva York 

Te levantan de rodillas, tus amigos caprichosos 
te llevan para las villas, o a la montaña del osos 
luego a la gira de un barco, o a la playa de un cien brillos 
la fiesta en el mamoncillo, o con la pompa en un charco. 

si te quieres divertir, con encanto y con primor 
solo tienes que vivir, u verano en Nueva York. 

El cuatro la independencia, el desfile borinqueño 
todo esto parece un sueño, si lo gozas con prodencia 
fiesta folklorica tienes, alla en el parque central 
si de ante mano no mueres, ves la fiesta de san juan 

juti barreto me dijo...... 

Un verano en Nueva york, hayyy alli se goza mejor 
Un verano en Nueva york, te vas a la fiesta de san juan 
Un verano en Nueva york, Un verano en Nueva york 
Un verano en Nueva york, a la montaña del oso 
Un verano en Nueva york, oye, te llevan a guarachar 
Un verano en Nueva york, los amigos caprichosos 
Un verano en Nueva york, que nunca quieren parar 
Un verano en Nueva york, Un verano en Nueva york 
Un verano en Nueva york.... (bis)....

GRUPO GALE

HISTORY

Diego Galé, internationally renowned percussionist, formerly the niche group invited to participate in most of the national and international music production artist, always had in his dreams to form a group to which could guide their experience. That was how the Gale Group was founded in Medellín in March 1989 under his direction. 

It is a musical work to the satisfaction of the Gale Group, rang with various topics in different places. Played entirely by Luis Alberto Flores. Contains four tracks of his own, three of Diego Galé and one of Luis Lambis. Take all of me, virus, slaves and masters, I am the gravy, if I could, my small and I do not touch the skin. Cali Ae! Sounds very hard in Cali Fair. Musicians invited as Morist Jimenez, Danny Jimenez and Alvaro Cabarcas Fluff. 

It was recorded in Colombia and Puerto Rico, representing an unusual display of his tropical music stations in the country. The inclusion of the Gale Group lists Latin radio in Europe as one of the Lp hottest songs in the continent, Diego Galé delivered to him the difficult task of following taking salsa export work done like few others in the world, with its own musicians, professionals carefully selected to sound on stage as in the recording. In appearances without a tribute to the festival of Miami is Miami Cabin item 8, which vibrated at each of the residents in the USA Its members are displays of camaraderie and collaboration, which makes them a family with the same purpose: to fight, study and work that is their motto. Issues like: Since I can not love you, Come back to me and no appearances are part of this musical project. Sung by Diego Javier Gonzales and Luis Alberto Flores.

¨PERDONAME¨

Perdóname, porque de mejor manera 
No te he dicho que te quiero 
Pero el tiempo y la distancia 
Me han ganado la batalla 

Perdóname, porque mil veces 
Mis pupilas te han fallado 
Y se estrellaron en las curvas 
De otro cuerpo solitario 

Porque el amanecer de nuevo me sorprendió 
Queriendo acariciar el cielo 
En otra piel y en otro lecho 
Y sin poderme escapar 
Del bajo instinto animal 
Que en vez de amor me dejo 
Un sentimiento fatal, arañándome 

No, no puedo jugar al amante casual 
No puedo robarte la felicidad 
No puedo vivir engañado 
Si todo lo tengo a tu lado 
Perdóname. 

Perdóname, porque visite otra luna 
De la mano de un cometa 
Cuando debía estar contigo 
Acariciando las estrellas 

Porque el amanecer de nuevo me sorprendió 
Queriendo acariciar el cielo 
En otra piel y en otro lecho 
Y sin poderme escapar 
Del bajo instinto animal 
Que en vez de amor me dejo 
Un sentimiento fatal, arañándome 

No, no puedo jugar al amante casual 
No puedo robarte la felicidad 
No puedo vivir engañado 
Si todo lo tengo a tu lado 
Perdóname. 

Perdóname si hoy te he fallado 
Si hoy te he engañado 
Y por haberme perdido en otro cuerpo 
Perdóname si hoy te he fallado 
Si hoy te he engañado 
Perdóname, yo lo siento 
Esta vez yo voy a confesarte 
Que mucho he llorado 

Perdóname si hoy te he fallado 
Si hoy te he engañado 
Sal de la puerta, de tu cariño 
Por eso vuelve a mi te lo suplico 
Perdóname si hoy te he fallado 
Si hoy te he engañado 
Seguro estoy de no volverte a engañar jamás 
Porque te amo. 

ORQUESTA LA-33

HISTORY

Although the band was born in 2002, in the Teusaquillo district of Bogotá, its launch comes on 3 May 2003 The former convent of San Juan Evangelista located on 33rd Street, was where these young rehearsed, more rockers seem salseros and hence the name of the group emerged.

Its members Sergio Mejia (director and bass), Santiago Mejia (coordinator and piano), Cipriano Rojas (congas), Juan David Fernandez (timpani), Diego Sanchez (bongos), Vladimir Romero (trombone), José Miguel Vega (trombone), Felipe Cardenas (sax), Roland Nieto (trumpet), Guillermo Celis (voice), David Cantillo (voice), Paul Martinez (voice), Javier Galavis (sound engineer), Ray Fuquen (field producer) went from playing pallets in a considerable number of bars in Bogota, Medellin, Cali, Quito, Spain and Berlin festival stages in Europe, nationally recognized festivals and share with artists like Willy Colón, Los Van Van, Chucho Valdez and the orchestra Broadway between otras.La Pantera Mambo was the theme that became known in the outside thanks to salsomanos, friends, clubs, and internet marketers.

"La Pantera Mambo" is a salcera cover of the Pink Panther, made by Henrry Manzini, the dj theme honked at the time of the rumba, causing euphoria public.

The most amazing thing is that La-33 have achieved recognition back to commercial radio and who are not enrolled in any famous label. In November 2004 recorded "La-33" his first CD, and in April 2007 "Gózalo" already; a week of its release was ranking       sixth in store sales of Tower Records.